Tuesday, March 29, 2016

Letter To My Nephew (about horror movies)

You asked me why I like horror movies. I've thought about it, and here's your answer:

There are many reasons, but mostly because I like being scared. Just like some people eat hot foods because it makes their body create natural pain killers (called endorphin), I like the feeling of being scared. I have some of the most horrific nightmares that anyone has heard about. If I watch a scary movie, and it feeds those nightmares, then I'm happy. I like waking from a heart-pounding nightmare going "Holy crap!", looking around as I try to get my bearings, and decide if it was a dream or not. I like staring out the window at the moonlit trees, allowing my imagination to scare me, wondering what that shape is... did it move? Does it have wings? IS IT THE MOTHMAN!?

One of the reasons I like to be scared, is that I will try to conquer my fears. If I'm having a nightmare where some blood-red, slime-dripping, multi-limbed creature is stalking me through dim industrial tunnels lined with pipes, and wires in order to peal off my skin and devour my soul, in my nightmare, instead of running, I'll turn to fight it, or look for a safe place to hide. I'll still be scared to death, but I want to show courage in the face of evil. I may dream I'm at the top of the stairs leading into a poorly lit, dank basement, with full knowledge that there are two ghosts down there who mean me harm, but I'll still slowly walk down those stairs, the terror increasing with each step, not knowing what will happen, in order to confront the ghosts and ask them why they are here, in my house. Part of that is because I may be able to help them find peace, part of it is that maybe I deserve my fate, and part of it is that I want to know, whatever the cost, just so I'm not scared anymore. I will also do this when awake, when I get the "heebie-jeebies", just to prove to myself that I'm imagining things, and there isn't anything there. There usually isn't.

Another reason I like horror movies is that I want to see how the story unfolds. As the director tells the story, will my imagination latch on, amplifying the emotions the movie produces, or will I say, "Pfft", that's stupid. Is the director creative in stimulating those emotions, or does he employ cheesey "BOO!" methods, which startle, but don't scare. Can the director build suspense, through his pacing of the story, the use of sublte music, and by eliciting a believeable performance from the actors? One of the best horror movies I've ever seen was "Silver Bullet". When Marty is alone on the abandoned bridge, shooting off fire works, and the werewolf starts after him...he frantically tries to defend himself with the only thing he has, his last rocket. He can't run away... He drops the box of matches, but has one left in his hand that he's trying to light as the werewolf approaches. He's able to shoot the werewolf in the eye, and then escape in his souped-up wheelchair, but is the werewolf chasing him? How fast can a werewolf run, especially a pissed off werewolf? As he's climbing the lattice up to his window, will the werewolf get him? Even after he's "safe" in his room, what's to stop the werewolf from climbing up after him and tearing him to shreds in his own bedroom, like he did to the woman earlier? That was a well done scene, and the viewers believed that the actor (Corey Haim) was actually crippled. I want my imagination to be carried away.

Then there's the gore factor. I don't really go for gorefests, but that can be entertaining, and if sparsely used, downright terrifying. For instance, the slaughter scene in Bone Tomahawk stayed with me long after the movie was over.

There's a lot of comedy in horror movies, usually put there to break the tension, just so the director can start building the tension afresh. During An American Werewolf in London the werewolf is haunted by the ghost of his best friend who says things like, "Have you tried talking to a corpse? It's boring.", while he's chomping on a piece of toast. You need the visual for the full effect. Then again, horror movies can be insanly funny because they are so outlandish, and unbelieveable, as in Dead Alive.

The reveal: This is when we get to see the monster. Finally. Most horror movies stretch this out, allowing the viewer's imagination to fill in the blanks of the horrific events for awhile. When we do see the monster, it's a scary treat, like in Cloverfield. Best monster reveal ever? Chief Brody is tossing scoopfuls of dead fish and guts into the water when the shark breaks the surface, maw gaping. His reaction? The time worn phrase, "We're gonna need a bigger boat." Another good one is The Thing, or The Thing. The creature is so alien, yet familiar, and it scares the crap out of you.

Plot twists: Most horror movies have a see-through plot twist at the end. The heroine endures frightening torture and finds all of her friends killed in various horrible ways, but finally manages to kill the serial killer, and is slowly walking away, feeling safe, when the serial killer sits up. Or his friend, the OTHER serial killer swings the sickle at her throat. Or the friendly Sheriff who rescues her is the father of the man she just killed, and now he wants revenge. Whatever. Done before. Boring. But sometimes, the plot twist at the end is unforeseen. In The Ring, the heroine falls into the well and finds the decayed corpse of the little girl (imagine being in a well with a corpse!) who has been causing all the ruckus. The girl is able to tell her story, and her body is laid to rest. The movie is over, the music is happy, Mom is giving her son a bath, and as an afterthought, the son asks his mom, "What happened to the girl?"
Mom: Samara?
Son: Is that her name?
Mom: Mm'hmm
Son: Is she still in the dark place?
Mom: No. We set her free.
Son (with some surprise): You helped her?
Mom: Yeah
Son (agitated): Why did you do that?
Mom: What's wrong, honey?
Son: You weren't supposed to help her!

Holy shit!!



Anyway, that's why I like horror movies. I hope you grow to like them too, and anytime you want to watch one, I'm ready.